Hyphen magazine - Asian American arts, culture, and politics

Marlon Rivera’s feature debut The Woman in the Septic Tank provides wry commentary on the indie film scene that SFIAAFF is steeped in. Young filmmakers Bingbong and Rainier are plotting a surefire indie hit, set in the slums of Manila and featuring an impoverished mother who sells her child to a pedophile. They chew over the precise details to get the authentic look of this gritty project, their eyes set firmly on the film festival prizes.



It’s an interesting premise, but nearly every scene goes on too long, perhaps with the exception of a wonderfully absurd sequence of the slum-dwellers singing and dancing à la Rodgers and Hammerstein -- and why has no one thought of that before? Such a natural fit for a culture where singing and dancing is so ubiquitous.

The film perks up with the appearance of Filipina star Eugene Domingo as a diva actress who the filmmakers hope will play the lead in their film (she has made a few notes on the script, of course, “just suggestions”). Her hilarious arrival in the film unfortunately underlines the disparity in acting talent, but the moments she’s on the screen, sending up mercurial actresses looking to work with young directors to boost their indie credibility, is where the movie really sings.

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The Woman in the Septic Tank screens on March 11, 2012 at 2:30 pm at SF Film Society Cinema/New People.