Marlon Rivera’s feature debut The
Woman in the Septic Tankprovides wry commentary on the indie film scene
that SFIAAFF is steeped in. Young filmmakers Bingbong and Rainier are
plotting a surefire indie hit, set in the slums of Manila and featuring an
impoverished mother who sells her child to a pedophile. They chew over the
precise details to get the authentic look of this gritty project, their eyes set
firmly on the film festival prizes.
It’s an interesting premise, but nearly every scene goes on
too long, perhaps with the exception of a wonderfully absurd sequence of the
slum-dwellers singing and dancing à la Rodgers and Hammerstein -- and why has no
one thought of that before? Such a natural fit for a culture where singing and
dancing is so ubiquitous.
The film perks up with the appearance of Filipina star
Eugene Domingo as a diva actress who the filmmakers hope will play the lead in
their film (she has made a few notes on the script, of course, “just
suggestions”). Her hilarious arrival in the film unfortunately underlines the
disparity in acting talent, but the moments she’s on the screen, sending up mercurial
actresses looking to work with young directors to boost their indie credibility,
is where the movie really sings.
Editor in chief Lisa Wong Macabasco joined Hyphen in 2006; she was previously the magazine's features editor. She has written for Mother Jones, the San Francisco Bay Guardian, AsianWeek, Audrey, Filipinas and ColorLines’ RaceWire. She graduated from U.C. Berkeley and Columbia University’s Graduate School of Journalism and co-founded the National Asian American Student Conference. A former editor at AsianWeek newspaper, she currently works as an editor in the marketing department of the San Francisco Museum of Modern Art.
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